Confabulation. Sounds like
a hybrid word, doesn’t it, like “fantabulous” or “ginormous”? And indeed it is
a hybrid – of fact and fiction. If you haven’t heard of it as a term, you’re not alone; but
if you care for someone with dementia, you may recognise it in action.
I’m not a medic or
scientist, so I’ll describe as a layman how I understand the difference
between three related symptoms of some types of dementia: hallucination,
delusion, and confabulation.
We may be more familiar
with the first two:
Hallucination – seeing, hearing, or smelling things that are not there.
Delusion – believing
things that are not true or misinterpreting information.
While these two states can
be very disturbing for both the person with dementia and those around them,
they are reasonably straightforward to grasp. Others can tell at once if there is,
or is not, “a man in clerical robes” or “a big fat bottom!” at the end of the
bed, or a woman whispering in the wall.
Delusions, such as a belief
that a dead relative is still alive, can be harder to handle, but the factual
truth can be determined.
Confabulation, however, is
a complex amalgam of fact and fantasy, in which a false narrative may
involuntarily be created by a person’s belief that an imagined scenario is
memory.
This imagined scenario
will usually be woven around a kernel of truth: an event that actually
happened, transposed to a different time and place, or involving a different
set of characters; or an emotional trauma that was real, but misremembered in a
different context.
And because there is an
element of veracity at the heart of it and it may contain mundane, inconsequential
detail as well as major incident, such a hybrid narrative may be very hard for
the carer or other friends and relatives to unravel.
For instance, my mum was a
professional singer in her youth. I know that on several occasions she studied at
the famous International Summer School of Music at Dartington Hall in Devon. This
is her treasured photograph of the composer Stravinsky (right), a souvenir of one of those sojourns (probably taken by Dartington's official photographer, Catharine Scudamore).
At around that time, she also attended the International Eisteddfod at Llangollen in North Wales. That’s a fact. But in latter years, she began to tell me that she had been present to see the tenor Pavarotti “make his name” there. Now Pavarotti did perform at Llangollen in 1955 – in a choir with his father. The choir won first prize in competition. Pavarotti later gave many interviews in which he credited this as a formative experience that inspired him to pursue a singing career.
At around that time, she also attended the International Eisteddfod at Llangollen in North Wales. That’s a fact. But in latter years, she began to tell me that she had been present to see the tenor Pavarotti “make his name” there. Now Pavarotti did perform at Llangollen in 1955 – in a choir with his father. The choir won first prize in competition. Pavarotti later gave many interviews in which he credited this as a formative experience that inspired him to pursue a singing career.
But he was only 19 at that
time and had yet to make his professional operatic debut; he would not have
been noted individually. Yet my mum was adamant that she had not only been
aware of him as a soloist, but that the performance had made him a star; and
she had seen it happen.
Then in 2007 a cousin of
mine, whom neither of us had previously met, came from abroad to stay with me for
a few days on the way to a friend’s wedding. I had planned to take her to visit
mum too and see the countryside around my hometown; but in the event there were
terrible floods, and the water supply at mum’s was cut off for nearly two
weeks. I couldn’t take my cousin there after all. Mum, however, would later
talk about this visit as if she had not only met my cousin herself, but had
hosted the entire stay. Her “memory” of this was based solely on what I had
told her of things I had done with my
relative.
Another time, I went into
hospital for major surgery and was anxious about mum in my absence; the surgeon
kindly called her from the recovery room to let her know I was all right. Mum
was subsequently convinced that she had actually met the surgeon, describing in
great detail what she had looked like and where they had met (“on the stairs”),
despite this being a complete fantasy.
Mum, in her singing days |
Now you may say, what’s
the problem? These are all fairly innocuous confusions; it doesn’t matter if
they’re not true.
And with examples like
this, I agree that there’s no gain in trying to point out anomalies or assert the
factual version; contradiction will only provoke distress.
But other confabulations
may not be so benign. I have detailed in an earlier post a particularly
traumatic incident where mum believed that a tradesman had broken into her house
and was holding me hostage. It was of course a terrible delusion, but those to
whom she told this story had no way of knowing at first that it was wholly imagined.
Similarly, she once told
me, when she herself was in hospital after a fall, that she had been down the
stairs (the ward was on the 11th or 12th floor and mum is
lift phobic) and had sat in the foyer, where an orchestra had been playing; and
that she had been taken from “the bus station” (which I later recognised from
her description as the ambulance bay) to a nurse’s house, where she had been
abused.
Logically, I knew these things were all highly unlikely, if not impossible; but she believed them so
completely and vehemently that I did wonder if there might be some grain of
very confused truth.
Such threads of
confabulation can be impossible to disentangle. The question then for
carers is how should we respond?
That’s something I’ll
discuss in my next post, "Truth" or "Lies"?…
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